Game Design

The standalone YouTube Gaming app is essentially being absorbed into YouTube

Social/Online Games - Gamasutra - 18 September 2018 - 12:58pm

YouTube has opted to roll features from the standalone app into its main video platform, something it hopes addresses discoverability issues that showed up in the original YouTube Gaming attempt. ...

Categories: Game Theory & Design

Beating Feature Creep - by Caleb Compton

Gamasutra.com Blogs - 18 September 2018 - 7:29am
Everybody wants their game to be the best. Because of this, it can be tempting to add as many cool features as possible. Unfortunately, this tendency can be dangerous and even kill the game entirely. In this article we learn how to avoid feature creep
Categories: Game Theory & Design

The Awesomenauts matchmaking algorithm - by Joost van Dongen

Gamasutra.com Blogs - 18 September 2018 - 7:21am
Matchmaking is a big topic with lots of challenges, but at its core is a simple question: who should play with whom? With so many different aspects to take into account (like ping, skill, premades and region) the answer turns out to be rather complex.
Categories: Game Theory & Design

DEAR INDIE GAME DEVS ON STEAM - by ifeanyichukwu chigbata

Gamasutra.com Blogs - 18 September 2018 - 7:20am
A reality look at most indie games sales on steam in 2018
Categories: Game Theory & Design

On Quality Assurance - by Casey DeWitt

Gamasutra.com Blogs - 18 September 2018 - 7:11am
In this post I will begin to dive in to the primary concepts of QA and attempt to broadly define the primary schools of thought, drawing a general conclusion of what Quality is, and what it means to Control, Assure or Develop it as such.
Categories: Game Theory & Design

5 kinds of video games that can improve your health and well-being - by vishal kumawat

Gamasutra.com Blogs - 18 September 2018 - 7:11am
video games that can improve your health and well-being
Categories: Game Theory & Design

Skipping Stones: RPGs Without Conflict

Gnome Stew - 18 September 2018 - 6:00am

Myself and six others gathered around a table strewn with red heart shaped beads, plush fantasy animals, and adorable character sheets. We were here to play Golden Sky Age, a Dragon Age hack of Golden Sky Stories run by Modifier Podcast host, Meghan Dornbrock. Golden Sky Stories is a game about helping friends, village spirits, and celebrating innocence. Dragon Age is a game about the immediate apocalypse, the corruption of power, and the lengths friends go to protect those around them. The two meshed extremely well under the guidance of Meg, and the bubbly personalities of the players. I could spend an entire article about the joy of extruding cuteness out of Mature Fantasy™ and may very well do so in the future, but it is not this article. Today I want to talk about one moment in this Golden Sky Age game that woke me up to something I’ve been feeling for a while without putting words to it.

Golden Sky Stories is an RPG about friendship, care, and helping out.

I played a Halla, an aloof, glittery, mysterious forest deer. My neighbor played a Fennec, a wily fox. We started a scene playing in the forest, as players we were waiting for another character to deliver plot information so that we could justify going to help others, but as characters we were skipping stones. As we roleplayed skipping stones, complimenting each other on our splashes, and finding fun colors of rock, I felt a sense of calm wash through me. This was my eureka moment.

As a player at this table I was completely satisfied with this roleplay of… nothing? Was there a story here to two animals skipping stones? Not really. Was there conflict? Maybe to begin with, but as our characters lost themselves in the fun of splashing in the river we quickly forgot about any challenge. As we connected with the rest of the group and played through our story, I fell in love with Golden Sky Stories’ mechanics of warmth & friendship, but I kept wishing that we could have more scenes like our skipping stones.

Gen Con 2018 was a surreal, joyful experience, but it had its stresses. High emotions, fast paced con life, swarms of people were all great to be in but they were a lot to experience. Even outside of conventions life can be stressful with job concerns, social responsibilities, or simply existing in this political climate. We hear a lot how games can be wish fulfillment, escapism, or a power fantasy. However, my unspoken wish in that moment at the table was for calm joy. My escapism was play that wasn’t centered on violence or struggle. My fantasy was being able to relax with a new friend. Nowhere in those desires was the need for rising action, dramatic conflict, or challenges to overcome. I just wanted to exist happily. My unspoken wish in that moment at the table was for calm joy. My escapism was play that wasn’t centered on violence or struggle. My fantasy was being able to relax with a new friend. Share4Tweet6+11Reddit1Email

Stories without conflict aren’t a novel idea with other media, but roleplaying games seem to focus on conflict as their sole narrative vehicle. When people talk about games, even to a mechanical level, we talk about how to set up conflict, how to create drama, or how to overcome challenges. Many people talk about a game’s conflict resolution system, deconstruct an encounter’s challenge rating, or how to plot Fronts or Threats. The idea of a game seems to center on a challenge that, through confronting, creates story. However, in playing a scene with no challenge, story, or conflict, I felt fulfilled.

I left Gen Con with the desire to explore further. I want to seek out games that are explicit in their refusal of conflict. I want the fanfiction no-plot-just-fluff of roleplaying games. I want to create a story that is satisfying and fulfilling in the way that skipping stones with my Fennec friend was. I know there are other games out there like this.

Formative is a game about queer families, caring for your friends, and how to live in a body that’s changing.

There’s a game that I’ve loved for a while called Formative, by designer Amy Weston, that does no conflict stories by forming scenes around a series of prompts on playing cards, similar to Avery Alder’s The Quiet Year. In Formative, you play characters undergoing radical transformation, in a group that can range from found family to erotic intermingling. Some prompts have conflict baked into them (The stares, muffled comments, and veiled insults are too much today. You retreat to a safe space.) while others create moments that can be easily played without conflict (After spending time together with [another character], your body subtly changes to be more like theirs). Taken in random order, a “traditional” story may emerge with rising action, conflict, climax, and denouement, but in my experience playing the game, the stories we tell in Formative are cozy, slice of life fiction that may have tense moments but are otherwise poetically lacking in conflict.

I encourage you reading this to seek out experiences like these. Allow characters to exist without a Plot. Sure, give them things they want, goals, whatever, but try and create a story about them existing, being happy, and comfortable. I also encourage you to chime in with game recommendations for systems that can create these moments I’m chasing. I need more caring moments near a river. That purple gem won’t discover itself.

Categories: Game Theory & Design

Observations From A Gamer's Chair: I Was an Awful GM

RPGNet - 18 September 2018 - 12:00am
When I had it wrong as a GM.
Categories: Game Theory & Design

Australian study warns of link between loot boxes and problem gambling

Social/Online Games - Gamasutra - 17 September 2018 - 1:18pm

"These results support the position of academics who claim that loot boxes are psychologically akin to gambling," reads a statement shared along with the findings published by the committee today. ...

Categories: Game Theory & Design

Washington State and 15 countries team up over video game gambling concerns

Social/Online Games - Gamasutra - 17 September 2018 - 11:13am

The squad of sixteen regulators has signed a declaration over growing concerns with the overlap between gambling and video games through things like loot boxes and skin betting. ...

Categories: Game Theory & Design

Committing career suicide, telling true stories about game development - by Larry Charles

Gamasutra.com Blogs - 17 September 2018 - 6:20am
Why I left my AAA game development job and what about that experience forced my hand to start Game Dev Unchained, an honest and unfiltered game development podacast exposing the true stories of game development for game developers.
Categories: Game Theory & Design

Kliuless? Gaming Industry ICYMI #3 - by Kenneth Liu

Gamasutra.com Blogs - 17 September 2018 - 6:19am
Each week I compile a gaming industry insights newsletter that I share with other Rioters, including Riot’s senior leadership. This edition is the public version that I publish broadly every week as well. Opinions are mine.
Categories: Game Theory & Design

Pathfinder Playtest Review, Part 1

Gnome Stew - 17 September 2018 - 5:00am

The big news from the Paizo arena is, of course, their Pathfinder Playtest. I picked up a copy of the physical rulebook at my FLGS about a month ago with the intent of writing a review. Guess what? This is that review. Normally, I have a system for my reviews of RPG products, but I’m going to set that aside for this effort since the book is bigger than simply cover art, mechanics, prose, layout, and interior art. This review will be split up over the course of multiple articles because of the in-depth nature of the playtest book.

If you’re interested in reading along with me during the review, you can pick up the free PDF of the playtest rulebook at Paizo’s site:

The book is split up into twelve different sections:

  1. Overview
  2. Ancestry
  3. Classes
  4. Skills
  5. Feats
  6. Equipment
  7. Spells
  8. Advancement and Options
  9. Playing the Game
  10. Game Mastering
  11. Treasure
  12. Appendices

In this segment of the review, I’ll be covering Overview through Classes. The rest of the book will follow in other articles.

Overview What is a Roleplaying Game?  The “Gaming is for All” segment speaks very well to the fact that each player is different. 
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The Overview section starts with the typical “What is a Roleplaying Game?” segment, but Paizo does a fine job in this section. It covers more than the typical basics of players, characters, game masters, collaborative storytelling, and other things found in these types of entries. It’s a great introduction to RPGs for new players as well as a solid reminder to veteran players and GMs why they are at the table and how to comport themselves while gaming.

The section here that impressed me the most was the “Gaming is for All” part where Paizo dives into responsibilities as a player and GM at the table. It’s not just “pay attention” or “know the rules.” As a matter of fact, these aren’t even mentioned. The “Gaming is for All” segment speaks very well to the fact that each player comes from a different background, culture, family, environment, and so on that influences how they play. No player (or the GM) should contribute to behavior (in or out of character) that promotes or reinforces racism, bigotry, hatred, or any other form of action that can offend, make someone uncomfortable, or that will drive someone from the hobby. These are strong statements, and I feel they need to be said.

The book also states that no one at the table (especially the GM) should allow this kind of behavior to exist at the table. I’m very happy Paizo included these segments. Also, for the first time in a major publication, I now see reference to a social contract (search in the upper right corner for this phrase for multiple Gnome Stew articles on this topic).

Basic Concepts

This section explains things in very clear terms. There are quite a few core changes to a familiar product, and having these Basic Concepts explained up front helped me wrap my head around things that I’ve known in my heart for the past nine years. It set me up to adjust how I see the rules for the new version of Pathfinder, and it also was a great introduction to the basics of the rules for those new to Pathfinder.

Activities

To help simplify the game, the overview gives three options for activities a PC can take during a single round. These are Actions, Reactions, and Free Actions. Each PC gets 3 Actions and 1 Reaction per round. Some activities may consume more than 1 Action, so while this sounds like quite a few things going on in a round, I doubt it’ll be quite as crazy as first impressions give. To be honest, it feels like it’s simplified things, so it will be (I hope) easier to avoid analysis paralysis that some players (and GMs) go through when presented with all of the options available to a higher-level character.

Key Terms

The Key Terms section runs through an alphabetical list of terms that constitute the core of the game with clear summations of what the terms mean to players and to the game. Again, this section helped me mentally point out to myself where the game is changing from the first edition.

Character Creation

The character creation overview section did leave me a little lost. While page numbers were listed to refer to the more in-depth rule explanations, I found myself flipping around the book to excess. There are only nine major steps to character creation, but each of those nine expand out considerably with sub-steps and references. The sample character sheet on page 11 calls out the various places you have to fill out. There are 27 different things to go through. This is on par with the first edition of Pathfinder, and many editions of D&D, so I don’t feel it’s too much to handle. However, I felt like there could be a little more explanation of each of the nine steps in the Overview section of the book. This could have prevented the flipping around the book like I did. Of course, I’m comparing this experience to what I do with the current version of Pathfinder, which I know well enough to be able to skip over sections I don’t need and get directly to the meat of where I need to read for the character choices I’ve made. I suspect I can get comfortable enough with the new version to do this as well.

Ability Scores  Rolling for ability scores is now optional! Share1Tweet1+11Reddit1Email

Here is a doozy of a change! Rolling for ability scores is now optional! You read that right. The core mechanic of developing your character’s six main abilities (which haven’t changed in this edition), is now an additive system. Everyone starts with a base 10 in each ability. Then the player will subtract or add (mostly add) 2 points to specific abilities depending on their choices in ancestry, class, background, and so on. There are quite a few options in there that are “Free boost” where the player can pick which ability to add their 2 points to. This means that every “elf ranger” won’t end up with the same ability scores. One thing I love about their changes is that no single ability can be above 18 at first level. They can creep above that threshold at higher levels, but not to start the game with. This helps prevent a considerable amount of min/max building for starting characters that is possible with decent die rolls and munchkin builds in the current version of Pathfinder. Their two side-by-side examples of generating ability scores in the playtest were very clear and illuminated the process very well.

An Aside: Alignment  I feel leaving alignment in the game is a missed opportunity for Paizo to do something better in this area. Share1Tweet1+11Reddit1Email

As you can already tell, there are quite a few changes to how things are approached in this version. Unfortunately (in my opinion), alignment remains attached to Pathfinder. I had hoped with this new version that Paizo would take advantage of the shifts and ditch this outdated, often ignored, and clunky method of determining a moral base for characters. I feel leaving alignment in the game is a missed opportunity for Paizo to do something better in this area.

Another Aside: Hit Points

A very clear change to the game is that rolling for hit points at each level is now a thing of the past. Instead, each character starts with a base amount for the chosen ancestry, adds some more hit points based on the chosen class, and then adds more hit points with each level taken. Maybe I’m just being a grumpy grognard here, but I feel like this is a violation of the spirit of Pathfinder’s storied history. Few die rolls are more important (or thrilling) than the vaunted “roll your hit points” moment. Then again, it always sucks to roll a natural 1 in those times, so I guess I can get used to the steady increase in hit points.

Ancestry

You’ll notice so far that I’ve not used the word “race” within this article to describe a character option. That’s because Paizo has taken the correct forward step to remove this off-putting, charged, and insensitive word to rest in their game materials. From here on out, Paizo will be using Ancestry as the overarching label for dwarves, elves, humans, etc. Hats off to Paizo for doing the right thing for the members of our community.

I’m not going to do a blow-by-blow of each ancestry presented in the book. That would probably be an article unto itself, and I’d rather not have this series of reviews run on until the actual game comes out.

 Hats off to Paizo for doing the right thing for the members of our community. Share1Tweet1+11Reddit1Email

Each ancestry (except for humans, oh those complex humans) is covered by a two-page spread. There are ancestral feats only available to the specifically listed ancestries. Most of them are options at first level, but some can only be taken at fifth (or higher) level. The samples in the book include many first level options and only a few fifth level options. There are none for levels higher than that, so I am assuming the final product (which will most likely be larger than the 427-page playtest book) will have these options. Of course, expansion and splat books will expand these lists considerably. One addition is a “heritage” feat, which can only be taken at first level. These heritage feats help establish some core principles of the character, and are, quite honestly, pretty cool. I like these inclusions.

Before I move on from ancestries, I want to point out that goblins are in as an officially playable ancestry. This, as you can probably tell, makes me happy. These plucky little fellows have been fodder and mooks for way too long. I’m not surprised that Paizo made this move based on the wide variety of goblin-centric products they’ve released over the years.

Unfortunately, I have something in the ancestries that makes me sad. Half-orcs and half-elves are now just specific types of humans, and a feat has to be used to gain access to the orc or elf ancestry goodies at a later level. I’m not sure I like this change because it’s going to reduce the number of players playing these ancestries. This removes some diversity from the gaming gene pool, and I’m not entirely convinced this is a good thing. Perhaps things will be adjusted in the final version that’s not apparent in the playtest book that will make this a good decision from Paizo.

Backgrounds

Paizo included a brief list (two pages worth) of backgrounds to pick from during character generation. I really hope they expand upon this list. What they have is pretty solid, but I can see players clamoring for more options, and we GMs will have to deliver. These backgrounds are used to tweak characters, make them unique, and boost abilities, feats, and skills. I love the inclusion of these types of things in modern RPGs, and Paizo has a good start here. (As a note: I really want to play someone who has a Barkeep background now.)

Languages

Everything in here is pretty typical of what most players expect to find in this section based on the past 40+ years of roleplaying game publishing. However, Paizo has also included a section on sign language. This is pretty cool. It’s a great description of sign language, how it impacts the game, and how it can be used. I love that they’ve acknowledged not everyone has the ability to speak or hear, thus increases the inclusivity of their game another notch.

Classes

As with ancestries, I’m not going to do a deep dive into each class. That would also be an entire article unto itself. The most interesting change here is the addition of the alchemist as a playable class to the core list. All of the usual classes players are used to finding are still in the book, so don’t fret that your favorite core class won’t exist until the proper expansion book is published.

Each class, like with the ancestries, gets certain base abilities automatically, then there is a list of feats to choose from at the various levels as the character advances. Because of the vast number of combinations going on here (ancestries, ancestral feats, backgrounds, classes, and class feats), I can see character creation and leveling up taking some time because of the inclination to want to pick the best thing for a character. This will up the levels of analysis paralysis in many players, so be warned. This will only become worse as more content is added to this version of the game.

Having said this, I don’t think this is a bad thing. I love many options to pick from. This allows me, as a player, to play a cleric in back-to-back campaigns, but without playing the same cleric both times. This makes me happy, but I still felt the need to point out the possible issue with so many choices laid out before the players.

(I know I said I wouldn’t do a deep dive into the classes, but I have my eye on a monk character for my first Pathfinder Playtest character class. Combine that with the Barkeep background? Hrmm… I wonder how a goblin monk who used to be a barkeep would work out?)

Aside, the Third: Feats  I recommend Paizo do a massive search/replace for “feat” and drop in the word “talent” because that feels like a more accurate descriptor for what these are in this book. Share1Tweet1+11Reddit1Email

I seem to be mentioning feats quite a bit here. Right? Yeah. I am. That’s because almost every power, ability, spell, trick, or effort is based on a feat. There are quite a few to pick from. While Paizo chose to continue the use of the word “feat,” I suspect the re-use of that label will lead to some false assumptions in the players between the editions. These are not the same power level of feats found in D&D 3.0 through D&D 3.5 and into Pathfinder. The Pathfinder Playtest feats could have been relabeled to avoid confusion. I recommend Paizo do a massive search/replace for “feat” and drop in the word “talent” because that feels like a more accurate descriptor for what these are in this book.

Yet Another Aside: Deities and Domains

One thing I dislike about the first edition Pathfinder core rulebook was the fact that information about the Golarion deities and domains was jammed into the cleric class section. I can see the decision behind this, but in a world where the deities can directly impact life in more than the spiritual sense, there will be more believers and worshippers. This includes non-clerics. I feel like the descriptions and summaries of the deities deserves its own sub-section within the book, not a sidebar for clerics. Unfortunately, Paizo made the same decision here. I’d love to see more pages dedicated to their deities (like they did with the Key Terms section). Of course, not everyone is going to use Golarion in their games at home, but since the defaults of Pathfinder assume Golarion it’s safe to dedicate more paper and ink to the deities.

For the domains in the cleric section, I love the list here. It feels comprehensive, expanded, and with more cool options for the multitude of those that wield holy (and unholy) powers.

Conclusion, For Now

Overall, I’m pretty happy with what I see up through the Classes section of the book. I hope this review has been helpful to you if you’re on the fence about downloading the PDF (or buying the book). Up next, I’ll dive into Skills, Feats, and Equipment. If word count for the next section allows, I’ll also briefly cover the Spells section, but without doing a deep dive into each spell.

Categories: Game Theory & Design

Fuzzy Thinking: Fighter vs Wizard

RPGNet - 17 September 2018 - 12:00am
Fuzzy spells.
Categories: Game Theory & Design

Advanced Designers & Dragons: Designers & Dragons Next — Wizards of the Coast: 2011-Present

RPGNet - 17 September 2018 - 12:00am
How Wizards of the Coast produced D&D 5E and what happened afterward.
Categories: Game Theory & Design

Video Game Deep Cuts: Destiny Forsaken, Remake Uncredited - by Simon Carless

Gamasutra.com Blogs - 16 September 2018 - 5:32am
This week's highlights include a look at Destiny 2's Forsaken expansion, an investigation of how game credits are handled for remasters, & lots more besides.
Categories: Game Theory & Design

Nintendo requires online subscription to purchase Switch NES controller

Social/Online Games - Gamasutra - 14 September 2018 - 10:43am

Sale of the wireless NES controllers recently announced for the Switch is limited to one per Nintendo account as well. ...

Categories: Game Theory & Design

How video game localization works and how much it costs in 2018 - by Nikolay Bondarenko

Gamasutra.com Blogs - 14 September 2018 - 6:46am
What is localization? How about right processes and costs? Which tools work well and which languages we should translate to? All in all, how good your game will perform on foreign markets depends on what approach you choose and how much you spend on ...
Categories: Game Theory & Design

Part 1, Narrative bridging on testing an experience - beyond structures and templates - by Katarina Gyllenback

Gamasutra.com Blogs - 14 September 2018 - 6:40am
What it means to have a cognitive approach to the narrative and how to approach a quality assurance from a narrative perspective beyond templates and strong structures in creation of engagement in digital and interactive contexts.
Categories: Game Theory & Design

Bloom's Taxonomy of Game Reviews - by Michael Heron

Gamasutra.com Blogs - 14 September 2018 - 6:32am
Reviews often spend too much time describing and not a lot of time analysing. This is a discussion of how the use of Bloom's Taxonomy can help address this by systemizing the act of reviewing.
Categories: Game Theory & Design

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